"Then what do you make of his aversion to her?" "No. I'm tired of them: I'm not tired of you. This is the way for you to feel most how much I rest on you." Fleda had a compunction, wondering as they continued to stroll whether it was right after all to leave her. She believed, however, that if the flame might for the moment burn low, it was far from dying out; an impression presently confirmed by the way Mrs. Gereth went on: "But one's fatigue is nothing. The idea under which one worked kept one up. For you I could—I can still. Nothing will have mattered if she's not there."!

"I never thought she was weak," Fleda answered. She looked vaguely round the room with a new purpose: she had lost sight of her umbrella. "Are you sure?"

"I'm only trying to be prepared for the worst. You must remember that to have to withdraw from the ground she has taken, to make a public surrender of what she has publicly appropriated, will go uncommonly hard with her pride." Fleda saw perfectly, and, with a face in which she flattered herself that nothing of this vision appeared, gave him her hand and said: "Good-bye, good-bye." They walked far, to the southwest corner of the great Gardens, where, by the old round pond and the old red palace, when she had put out her hand to him in farewell, declaring that from the gate she must positively take a conveyance, it seemed suddenly to rise between them that this was a real separation. She was on his mother's side, she belonged to his mother's life, and his mother, in the future, would never come to Poynton. After what had passed she wouldn't even be at his wedding, and it was not possible now that Mrs. Gereth should mention that ceremony to the girl, much less express a wish that the girl should be present at it. Mona, from decorum and with reference less to the bridegroom than to the bridegroom's mother, would of course not invite any such girl as Fleda. Everything therefore was ended; they would go their different ways; this was the last time they would stand face to face. They looked at each other with the fuller sense of it and, on Owen's part, with an expression of dumb trouble, the intensification of his usual appeal to any interlocutor to add the right thing to what he said. To Fleda, at this moment, it appeared that the right thing might easily be the wrong. He only said, at any rate: "I want you to understand, you know—I want you to understand."